![]() Even though dates are never explicitly given, nine pages in we’re privy to a conversation that does indeed corroborate with any assumptions we've had: “We’re six years from the next century.” It’s 1894 kids, I’m stoked for the new era, are you? Images match our presumptions of the era as does their verbiage. Other Augustyn-Waid editor-writer partnerships included The Comet (DC/Impact, 1992) and Impulse (DC, 1995–1996).Īugustyn currently works as story editor for publisher Red Giant Entertainment and their Giant-Size Comics line of free print comic book titles which debuted on as part of Free Comic Book Day.[Įverything here feels period appropriate. Under Augustyn's stewardship, the Flash was brought out from the shadow of his predecessors and increased his powers dramatically. He served as the managing editor of Visionary Comics Studio.Īs editor of The Flash beginning in 1989, Augustyn brought in Mark Waid as writer in 1992, which led to an acclaimed eight-year run. In 1988, he joined DC, starting out as a co-editor on Action Comics during its period as a weekly title.ĭuring the late 1980s and early 1990s Augustyn was an editor for DC Comics, where he edited The Flash, Justice League and the Impact Comics line of titles.Īugustyn was recognized for his work in the industry with the Wizard Fan Award for Favorite Editor in 1994. ![]() He then edited Syphons and Speed Racer for NOW Comics in 1987. Augustyn got his start in the industry in 1986 as an editor for Tru Studios' Trollords. ![]()
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